Monthly Archives: August 2016

8 days to go: the Sculptor Sinks, Things, Sings

The line of the horizon. A perception of surface takes place through sinking, split and interconnected. Everything there comes to an end, but what I’m writing to you goes on. Time is sealed into our materials and these surfaces, punctured

8 days to go: the Sculptor Sinks, Things, Sings

The line of the horizon. A perception of surface takes place through sinking, split and interconnected. Everything there comes to an end, but what I’m writing to you goes on. Time is sealed into our materials and these surfaces, punctured

The Sculptor Sinks, Thinks, Sings: 3 September, Bergen, Norway

The Sculptor Sinks, Thinks, Sings by Daniela Cascella and Dominique Hurth The LYD Writing Research Residencies, 2015/2016, produced by Lydgalleriet The Explorer Lounge and Panorama Bar, MS Nordnorge Hurtigruteterminal, Nøstegate 30, 5010 Bergen, Norway 3 September 2016, 17.30-19.00
 Writer Daniela Cascella

The Sculptor Sinks, Thinks, Sings: 3 September, Bergen, Norway

The Sculptor Sinks, Thinks, Sings by Daniela Cascella and Dominique Hurth The LYD Writing Research Residencies, 2015/2016, produced by Lydgalleriet The Explorer Lounge and Panorama Bar, MS Nordnorge Hurtigruteterminal, Nøstegate 30, 5010 Bergen, Norway 3 September 2016, 17.30-19.00
 Writer Daniela Cascella

Lispector, G.H., dissolving boundaries

The sections in italics are taken from a text I wrote earlier this year on Clarice Lispector’s Água Viva and The Passion According to G.H., published in The Scofield. In an interview published on the Italian newspaper La Repubblica on 3

Lispector, G.H., dissolving boundaries

The sections in italics are taken from a text I wrote earlier this year on Clarice Lispector’s Água Viva and The Passion According to G.H., published in The Scofield. In an interview published on the Italian newspaper La Repubblica on 3

There is something to be told

Riding’s unapologetic voice seems to capture the essence of the endless conversation, at times all-absorbing, compelling, draining, present, at times longed for, silent, subdued, reluctant, between Lenù and Lila: [1] There is something to be told about us for the

There is something to be told

Riding’s unapologetic voice seems to capture the essence of the endless conversation, at times all-absorbing, compelling, draining, present, at times longed for, silent, subdued, reluctant, between Lenù and Lila: [1] There is something to be told about us for the

It’s all a fraud

The tension between reality as substance, and the cut of edit as fiction, appears in a remark of Lila to Lenù: ‘You always use true and truthfully, when you speak and when you write. Or you say: unexpectedly. But when

It’s all a fraud

The tension between reality as substance, and the cut of edit as fiction, appears in a remark of Lila to Lenù: ‘You always use true and truthfully, when you speak and when you write. Or you say: unexpectedly. But when

The song escapes me / The Sculptor Sinks, Thinks, Sings

And these words, they never finish leaving me, the song escapes me as I believe I can hear it. Its beginning is always absent. I wasn’t there. The muted perturbation of the song is the interval between the words I

The song escapes me / The Sculptor Sinks, Thinks, Sings

And these words, they never finish leaving me, the song escapes me as I believe I can hear it. Its beginning is always absent. I wasn’t there. The muted perturbation of the song is the interval between the words I

Cut and erase

In Frantumaglia, Ferrante makes a remark about an Italian expression, ‘tagliare i panni addosso’: to cut out the clothes, shaped on the body. Ferrante writes of seamstresses (her mother was a seamstress), women who cut ‘on the body’ garments that

Cut and erase

In Frantumaglia, Ferrante makes a remark about an Italian expression, ‘tagliare i panni addosso’: to cut out the clothes, shaped on the body. Ferrante writes of seamstresses (her mother was a seamstress), women who cut ‘on the body’ garments that